mUltimate Chopin

Op. 11, Concerto in E minor, Mvt III

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Fingering

b. 230-231

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 231

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 237-239

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering entered in FEH in bar 237 and repeated in bar 239 bears a strong resemblance to Chopin's handwriting and is compliant with the Chopinesque fingering of similar figurations in the Etude in C Minor, Op. 10 No. 4, bar 2 and analog. or the Nocturne in D​​​​​​​ Major, Op. 27 No. 2, bar 52. Taking into account the above, we give it in the main text.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 241-242

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering added in FEH to the printed Chopinesque indications complements and generalises them.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH

b. 244-246

composition: Op. 11, Concerto in E minor, Mvt III

Fingering written into FEH

No teaching fingering
..

The fingering, written in FEH over the 1st semiquaver triplet in bar 244, was recalled also in bar 246.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FEH