EE1
Main text
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 275-276

Dot & wedge in FE (→EE,GE1GE2)

Two wedges in GE3

Wedge & dot suggested by the editors

The articulation markings in these bars are questionable. We consider the dot over the last b1 in bar 275 to be a patent mistake – attenuating the energy contained in this characteristic, octave gesture opening the theme seems to be inconceivable. However, it is unclear whether and which note the dot was supposed to apply to – the potential candidates are the previous quaver (b3) and the 2nd quaver of bar 276 (e2), which are generally provided with staccato marks in the remaining appearances of the theme. In our proposal, we take into account usefulness of an added mark – in bar 276, it clarifies articulation, which does not naturally follow from the hand position like it is in the case of b​​​​​​​3, after which the hand must be moved quickly anyway. A similar solution was adopted in GE3; it can be considered an alternative to our proposal. 

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

notation: Articulation, Accents, Hairpins

Go to the music

Original in: New York Public Library at Lincoln Center