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Issues : Errors in FE
b. 23
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE, the part of the L.H. is misaligned with the R.H. in the 2nd half of the bar – the last quaver, f category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Synchronization markings , Annotations in FEH |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt II
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In the last third on the 3rd crotchet in the bar in FE (→GE1→GE2), there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Annotations in FES , Errors repeated in GE |
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b. 41
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composition: Op. 11, Concerto in E minor, Mvt II category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE |
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b. 41
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composition: Op. 11, Concerto in E minor, Mvt II
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The slur of FE (→GE1→GE2) is most probably a mistake, hence in the main text we include a correction introduced in EE and GE3. We may be dealing here with a peculiar mark reversal – the engraver led the slur from the 1st semiquaver of the triplet to the left instead of to the right (cf. a similar mistake in the Concerto in F minor, op. 21, the 3rd mov., bars 172-173). category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Sign reversal |
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b. 42
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE (→GE1), the top note of the 10th semiquaver is an a2 (with a category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FES , Annotations in FEJ , Errors repeated in GE , Annotations in FEH |