Issues : Errors in FE

b. 23

composition: Op. 11, Concerto in E minor, Mvt II

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In FE, the part of the L.H. is misaligned with the R.H. in the 2nd half of the bar – the last quaver, f, falls already under the dotted quaver c3. The inaccuracy was corrected in GE and EE, whereas the mark indicating the right synchronization is written in FEH

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Synchronization markings , Annotations in FEH

b. 39

composition: Op. 11, Concerto in E minor, Mvt II

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In the last third on the 3rd crotchet in the bar in FE (→GE1GE2), there is no  restoring e2. The correct notation is featured in EE and GE3; the mark was also added in FES. In melodic lines led in thirds, such mistakes would happen to Chopin quite often – cf. e.g. bars 88 and 90 in this movement of the Concerto as well as the Etude in G minor, op. 25, no. 6, bar 12 or the Mazurka in E major, op. 6, no. 3, bars 11, 13 and analog. A similar situation in bar 41.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Annotations in FES , Errors repeated in GE

b. 41

composition: Op. 11, Concerto in E minor, Mvt II

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In FE (→GE1GE2), there is no  restoring ein the last third on the 3rd crotchet in the bar.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE

b. 41

composition: Op. 11, Concerto in E minor, Mvt II

Slur in FE (→GE1GE2)

Slur in EE & GE3

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The slur of FE (→GE1GE2) is most probably a mistake, hence in the main text we include a correction introduced in EE and GE3. We may be dealing here with a peculiar mark reversal – the engraver led the slur from the 1st semiquaver of the triplet to the left instead of to the right (cf. a similar mistake in the Concerto in F minor, op. 21, the 3rd mov., bars 172-173).

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Sign reversal

b. 42

composition: Op. 11, Concerto in E minor, Mvt II

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In FE (→GE1), the top note of the 10th semiquaver is an a2 (with a ); ais then restored with a sharp at the beginning of the 4th beat in the bar. The unequivocal mistake of the engraver is confirmed by corrections in three out of four pupils' copies – FES, FEJ and FEH. Respective revisions were introduced also in EE and subsequent GE – in GE2, the erroneous  was changed to a , whereas in EE and GE3, both marks were removed.

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies , EE revisions , Errors in FE , GE revisions , Annotations in FES , Annotations in FEJ , Errors repeated in GE , Annotations in FEH