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b. 116
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we suggest a compilation of complementary Chopin's entries performed in pencil in FED and FES. J. Stirling probably wanted to enhance with ink the second out of four ones written in her copy, over the g category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES , Annotations in FEH |
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b. 116
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composition: Op. 11, Concerto in E minor, Mvt II
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In this bar, the pedalling in the sources is most probably incomplete and inaccurate – cf. analogous bar 120. Due to this reason, in the main text we suggest a solution modelled after the unequivocal pedalling in the aforementioned bar. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 117
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composition: Op. 11, Concerto in E minor, Mvt II
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The fingering in FEH raises doubts concerning the interpretation of the first digit applying to e3. It seems that it is a '1,' but it would be inconsistent with the fingering of an identical place in bars 120-121 written in this copy – the 1st finger on the last g category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Differences in fingering , Annotations in FEH |
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b. 117-118
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composition: Op. 11, Concerto in E minor, Mvt II
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In the main text, we suggest the fingering of FED, extended with a complementary entry in FES in the ending of bar 117. In the first half of the bar, the interpretation of the digits in FED is impeded by corrections – one can see that initially it contained different digits that were then "converted" to the set we suggest. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FES |
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b. 118
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composition: Op. 11, Concerto in E minor, Mvt II
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The use of the 1st finger on the only white key of this passage is the most natural fingering of this figuration, hence it having been originated by Chopin is difficult to prove in EE and FEH. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
1 note ending the 3rd beat of the bar, which would indicate the fingering scheme of the entire 2nd half of the bar. However, she committed a mistake and wrote it a semiquaver too far, over the first e2 in the 7th triplet (cf. notes in bar 91 and 
in 
