Main text
Main text
FE - French edition
FE1 - First French edition
FED - First French edition
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE1
EE3 - Revised impression of EE2
compare
  b. 116

Fingering written into FED

Fingering written into FES, contextual interpretation

Fingering written into FEH

Fingering based on FES & FED

No teaching fingering

In the main text, we suggest a compilation of complementary Chopin's entries performed in pencil in FED and FES. J. Stirling probably wanted to enhance with ink the second out of four ones written in her copy, over the gnote ending the 3rd beat of the bar, which would indicate the fingering scheme of the entire 2nd half of the bar. However, she committed a mistake and wrote it a semiquaver too far, over the first ein the 7th triplet (cf. notes in bar 91 and 108).
The entry in FEH defines the same fingering. 

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FED, Annotations in FES, Annotations in FEH

notation: Fingering

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