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Issues : GE revisions
b. 37
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composition: Op. 11, Concerto in E minor, Mvt II
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Nothing indicates a change of the performance manner of typical quaver accompaniment figures in this bar. Therefore, we consider the missing slurs to be an oversight and suggest adding them. Identical slurs were added in GE3. category imprint: Differences between sources issues: GE revisions |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt II
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In the last third on the 3rd crotchet in the bar in FE (→GE1→GE2), there is no category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Annotations in FES , Errors repeated in GE |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE (→EE,GE1→GE2), there are accidentals before the 2nd semiquaver in the 2nd half of the bar, repeated after the last semiquaver in the 1st half. The superfluous marks were removed in GE3. A similar situation in bar 41 and 88 and 90. category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 41
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composition: Op. 11, Concerto in E minor, Mvt II category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Omissions to cancel alteration , GE revisions , Errors repeated in GE |
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b. 41
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composition: Op. 11, Concerto in E minor, Mvt II
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The slur of FE (→GE1→GE2) is most probably a mistake, hence in the main text we include a correction introduced in EE and GE3. We may be dealing here with a peculiar mark reversal – the engraver led the slur from the 1st semiquaver of the triplet to the left instead of to the right (cf. a similar mistake in the Concerto in F minor, op. 21, the 3rd mov., bars 172-173). category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Sign reversal |