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Issues : GE revisions
b. 108
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composition: Op. 11, Concerto in E minor, Mvt II
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The mistake in the pedalling markings in the middle of this bar does not have to mean that the last category imprint: Differences between sources issues: GE revisions |
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b. 111
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composition: Op. 11, Concerto in E minor, Mvt II
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Differentiation between the staccato marks in FE (→EE) – a wedge in bar 111 and a dot in bar 113 – could have been intended by Chopin, although being deprived of access to [A], one cannot exclude a mistake in the manuscript's reproduction. Unification of the markings in GE is almost certainly an arbitrary revision; according to us, a possible use of wedges in both bars is much more likely, since young Chopin considered them the basic marking of staccato. category imprint: Differences between sources issues: GE revisions , Wedges |
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b. 112
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composition: Op. 11, Concerto in E minor, Mvt II
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Except for a2 at the end of the 2nd triplet, the passages in bars 111-113 are built exclusively from the chordal sounds. It suggests a possible mistake of FE (→EE,GE1→GE2), confirmed by a correction in FES. A change of a2 to g category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , GE revisions , Annotations in FES |
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b. 116
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composition: Op. 11, Concerto in E minor, Mvt II
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In this bar, the pedalling in the sources is most probably incomplete and inaccurate – cf. analogous bar 120. Due to this reason, in the main text we suggest a solution modelled after the unequivocal pedalling in the aforementioned bar. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 122
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composition: Op. 11, Concerto in E minor, Mvt II
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In FE, the only accidental in this bar is a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Accidentals in different octaves , GE revisions |