Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt II
Sustaining the c
2 note was probably meant to rhythmically assimilate the 2nd half of this bar to its twin passage in the 1st half of bar 111. The fingering added in FES proves that the note at the beginning of the passage is to be repeated, whereas the version of EE is an arbitrary intervention of the reviser.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Rhythm
