Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt II
In FE (→EE), the duration of the 3rd semiquaver on the last beat of the bar is increased to a crotchet. Going beyond the beat of the bar, which makes no music sense, must be a mistake – cf. analogous bar 52 where the corresponding note is a quaver. In GE, the prolongation of this note was omitted, probably in order to avoid a troublesome, incomprehensible element of notation.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: Errors in FE, GE revisions, Rhythmic errors, Errors repeated in EE
notation: Rhythm
