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p. 30, b. 661-689
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In the main text, we prolong the wavy lines emphasising the duration of the trills. Neither the range of the wavy lines nor the fact whether they were used in the notation at all influences the performance manner of the trill, hence we choose the most suggestive notation. Chopin would write longer, continuous trills in various ways – cf. e.g. the Waltz in D
Major, Op. 64 No. 1, bars 69-72.
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