Atut
Main text
Atut - Autograph of first Tutti
FE - French edition
FE1 - First French edition
FED - Dubois copy
FEFo - Forest copy
FEH - Hartmann copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE1
GE2a - Altered impression of GE2
GE3 - Second German edition
EE - English edition
EE1 - First English edition
EE2 - Corrected impression of EE2
EE3 - Revised impression of EE2
compare
  b. 667-670

 &  in FE

​​​​​​​ in GE & EE

​​​​​​​ ​​​​​​​suggested by the editors

In the main text, we prolong the wavy lines emphasising the duration of the trills. Neither the range of the wavy lines nor the fact whether they were used in the notation at all influences the performance manner of the trill, hence we choose the most suggestive notation. Chopin would write longer, continuous trills in various ways – cf. e.g. the Waltz in D​​​​​​​ Major, Op. 64 No. 1, bars 69-72.  

Compare the passage in the sources »

category imprint: Differences between sources; Editorial revisions

issues: EE revisions, GE revisions

notation: Ornaments

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