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Issues : Corrections in A
b. 20
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, Chopin changed the initially written category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in FE , Corrections in A , Errors resulting from corrections |
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b. 25-27
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the wedges with which the accompanying chords in the L.H. were provided in FE (→GE,EE) are a result of misunderstanding the notation of Atut in bars 26-27, where the repeated chords are written in an abbreviated manner as minims with quaver tremolos. Willing to draw the attention to this abbreviation, Chopin marked the individual quavers with dashes, which he then tried to transform into dots, generally used for this purpose. This measure turned out ineffective, whereas the engraver (reviser?) not only included the wedges, in spite of renouncing the abbreviation, but he also propagated wedges in bar 25. However, since the wedges do not mark articulation, they are superfluous and misleading in a notation that does not make use of abbreviations. Taking into account the above considerations, we do not include them in the main text. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in FE , Corrections in A , Wedges , Inaccuracies in A |
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b. 31
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the R.H. part is written in this bar twice, most probably due to the non-inclusion of the bottom voice on the 3rd beat of the bar for the 1st time. In the corrected version, Chopin, however, overlooked the category imprint: Differences between sources; Corrections & alterations issues: Corrections in A , Errors resulting from corrections |
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b. 32
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, one can see traces of changing the dynamic marking – while introducing cresc., Chopin removed the previous category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 39
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composition: Op. 11, Concerto in E minor, Mvt I
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category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Corrections in A , Errors resulting from corrections |