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Issues : Inaccuracies in A
b. 4
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, there is no category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , Authentic corrections of FE , Inaccuracies in A |
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b. 12
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composition: Op. 11, Concerto in E minor, Mvt I
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In the part of the L.H. in Atut, a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 25-27
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composition: Op. 11, Concerto in E minor, Mvt I
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According to us, the wedges with which the accompanying chords in the L.H. were provided in FE (→GE,EE) are a result of misunderstanding the notation of Atut in bars 26-27, where the repeated chords are written in an abbreviated manner as minims with quaver tremolos. Willing to draw the attention to this abbreviation, Chopin marked the individual quavers with dashes, which he then tried to transform into dots, generally used for this purpose. This measure turned out ineffective, whereas the engraver (reviser?) not only included the wedges, in spite of renouncing the abbreviation, but he also propagated wedges in bar 25. However, since the wedges do not mark articulation, they are superfluous and misleading in a notation that does not make use of abbreviations. Taking into account the above considerations, we do not include them in the main text. category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in FE , Corrections in A , Wedges , Inaccuracies in A |
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b. 31-32
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composition: Op. 11, Concerto in E minor, Mvt I
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In Atut, the sharps are written only next to the top notes of the octaves, raising d to d category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , FE revisions , Inaccuracies in A |
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b. 36-38
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 36 and 38, Atut features only the sharps raising g to g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , FE revisions , Inaccuracies in A , Errors repeated in FE |