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Issues : Annotations in FED
b. 269
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composition: Op. 11, Concerto in E minor, Mvt I
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The mark written in FED underlines the significance of the rest and, consequently, it suggests the need to emphasise the syncopation as the beginning of a new motif of a probably different emotional nature. category imprint: Source & stylistic information |
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b. 272-273
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composition: Op. 11, Concerto in E minor, Mvt I
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In the main text, we include the change of fingers, written by Chopin in FED. The fingering of EE actually does not exclude the use of this procedure, yet it seems to be highly unlikely that Fontana would not have marked such a characteristic fingering if he had taken it into account. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Differences in fingering |
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b. 281
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingerings written by Chopin in FED and FEH are compliant. In the main text, we include the more precise indications of FED. category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 283
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering, written probably by the hand of the pupil in FEH, was changed in this bar – the a-g category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 290
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composition: Op. 11, Concerto in E minor, Mvt I
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The version with d category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , Terzverschreibung error , GE revisions |