Issues : Annotations in FEH
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b. 282
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 283
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering, written probably by the hand of the pupil in FEH, was changed in this bar – the a-g category imprint: Differences between sources issues: Annotations in teaching copies , Annotations in FED , Annotations in FEH |
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b. 284-286
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composition: Op. 11, Concerto in E minor, Mvt I
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The entries in FEH, probably performed by the pupil's hand, develop the basic fingering idea contained already in bar 283 – the use of the fingers 2 and 1 on the last two semiquavers of each bar. category imprint: Differences between sources |
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b. 287-288
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composition: Op. 11, Concerto in E minor, Mvt I
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The only digit written in FEH was given also by Fontana. Moreover, it is most probably a fingering envisaged by Chopin, since it is difficult to imagine another one here. However, it is not so obvious in the case of Fontana's indications at the beginning of bar t. 288 – g category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
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b. 292-293
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering in EE is most probably compliant with the one written in FEH, which, however, does not influence the evaluation of authenticity of any of them. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FEH |
transition was initially marked with the 2 and 3 digits. The correction could have been suggested by Chopin, which is indicated by further compliance with the entry in 
