Issues : Annotations in FEH

b. 179-180

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FEH

..

The natural fingering indicated by Fontana probably corresponds to Chopin's intention; however, it does not prove that Fontana based his indication on an authentic source. The entry in FEH most probably marks the same fingering.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 181-185

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Fontana indicated the 4th finger on the 4th semiquaver three times – in bars 181, 182 and 185. In the same place in bars 181 and 185, in FEH, the 3rd finger was marked (see also notes to bars 536-537 and 540). A possible authenticity of these divergent indications is uncertain. 

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 181-182

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

The digit written over the dgrace note in FEH does not determine the fingering of the 2nd beat of bar 182, so it is difficult to state whether the writing person (we do not think it was Chopin) envisioned there the fingering indicated by Fontana in EE

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 182-183

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE

..

Like the last digit in bar 141, the '2' written in FEH may be considered to be Chopinesque, hence we include it in the main text. It implies a different fingering than the one given by Fontana in EE.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Differences in fingering , Annotations in FEH

b. 187-191

composition: Op. 11, Concerto in E minor, Mvt I

No fingering in FE (→GE)

Fontana's fingering in EE

Fingering written into FED

Fingering written into FEH in bar 188

..

Like at the beginning of this section (bar 179), Fontana's fingering coincides with the one indicated by Chopin during lessons.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH