Issues : Errors in FE

b. 56-57

composition: Op. 11, Concerto in E minor, Mvt I

R.H. slur in Atut

No slur in FE (→EE,GE1GE2)

Slurs in both hands in GE3

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Like in the case of portato dots, the majority of the editions overlooked an authentic slur, most probably due to a mistake of the engraver of FE. In GE3, a slur was added in bar 57 after an analogous slur in bar 55 as well as a parallel slur in the L.H. part.

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 72-73

composition: Op. 11, Concerto in E minor, Mvt I

B tied in Atut

B repeated in FE (→GE,EE)

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The missing tie of is probably an oversight of the engraver of FE (→GE,EE). It cannot be excluded that the engraver did not understand the meaning of the curved line of Atut, since Chopin, as was his custom, wrote only a short curved line through the bar line, hence it is not evident that its left-hand ending is supposed to reach the minim.   

category imprint: Differences between sources

issues: Errors in FE

b. 77

composition: Op. 11, Concerto in E minor, Mvt I

Staccato dot in Atut

No mark in FE (→GE,EE)

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The missing dot is most probably an oversight of the engraver of FE (→GE,EE).

category imprint: Differences between sources

issues: Errors in FE

b. 88

composition: Op. 11, Concerto in E minor, Mvt I

Crotchet B in Atut

Quaver in FE (→GE,EE)

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The missing extension of the 5th quaver is most probably an oversight of the engraver of FE (→GE,EE).

category imprint: Differences between sources

issues: Errors in FE

b. 127

composition: Op. 11, Concerto in E minor, Mvt I

 in Atut

No sign in FE (→GE,EE)

..

The missing  in FE (→GE,EE) must result from distraction of the engraver of FE

category imprint: Differences between sources

issues: Errors in FE