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Issues : Annotations in FED
b. 169
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composition: Op. 11, Concerto in E minor, Mvt I
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The interpretation of the fingering in FED is not easy, since the digits were written on top of each other a few times, which hampers their interpretation. Initially, 3 or 4 digits '2' were written in a delicate handwriting: category imprint: Graphic ambiguousness; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Differences in fingering |
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b. 171
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 179-184
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composition: Op. 11, Concerto in E minor, Mvt I
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Both Fontana in EE and the reviser in GE3 suggest in bar 179 the same fingering that was written in FED during a lesson with Chopin. The indications in FEH (in bars 179-180 and 184), much more detailed, also describe the same fingering (in bar 179, the digit applying to the a quaver is almost certainly erroneous – it should be a '3' as in the analogous bar 534, and not a '2'). category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , GE revisions , Annotations in FEH |
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b. 187-191
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composition: Op. 11, Concerto in E minor, Mvt I
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Like at the beginning of this section (bar 179), Fontana's fingering coincides with the one indicated by Chopin during lessons. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 190
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composition: Op. 11, Concerto in E minor, Mvt I
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Fontana's fingering is almost certainly identical with the indication in FED, stemming from a lesson with Chopin. In that copy, apart from the evident digit '2,' written twice in a way typical of FED, first by Chopin, then by Madame Dubois, there is a visible delicate line next to the a category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED |