Issues : Errors repeated in EE
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b. 420
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composition: Op. 11, Concerto in E minor, Mvt I category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Errors repeated in EE |
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b. 422-423
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE1), there are no sharps before the topmost notes of the particular groups of semiquavers. The necessary accidentals were added in GE (straight away) and in subsequent EE (gradually, i.e. in EE2 – only the of c4 in bar 423, in EE3 – the remaining ones). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Errors repeated in EE |
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b. 424
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composition: Op. 11, Concerto in E minor, Mvt I
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In the sources, there are no sharps before the d2 and d3 semiquavers. It results from a different rule of validity of accidentals from the one applied generally in contemporary editions where a part of a bar is written with the use of an octave sign. In Chopin's times, a mark next to a note encompassed with an octave sign was often considered valid also for a note written at the same pitch, yet not encompassed with an octave sign. category imprint: Interpretations within context; Editorial revisions issues: Accidentals in different octaves , Inaccuracies in FE , Errors repeated in GE , Errors repeated in EE |
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b. 424
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE), there is no accidental before the 2nd semiquaver. A sharp necessary to achieve c1, undoubtedly intended by Chopin in this case, was added in GE. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , GE revisions , Omission of current key accidentals , Errors repeated in EE |
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b. 425
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composition: Op. 11, Concerto in E minor, Mvt I
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In FE (→EE), the before the last semiquaver was overlooked, which was corrected in GE. Moreover, instead of a before the 8th semiquaver (c2) the majority of the sources (except for GE3) feature a respective mark on the 5th semiquaver. It is related to the use of an octave sign to write the 1st beat of the bar. category imprint: Interpretations within context; Differences between sources; Source & stylistic information issues: Accidentals in different octaves , Inaccuracies in FE , GE revisions , Errors repeated in EE |
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