Issues : Authentic corrections of FE
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b. 11
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composition: Op. 11, Concerto in E minor, Mvt I
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The cautionary natural before c2 was added – probably by Chopin – in a proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Cautionary accidentals , Authentic corrections of FE |
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b. 12
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composition: Op. 11, Concerto in E minor, Mvt I
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In the part of the L.H. in Atut, a category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Authentic corrections of FE , Inaccuracies in A |
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b. 16-17
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composition: Op. 11, Concerto in E minor, Mvt I
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The staccato dots over the octaves in the L.H. is almost certainly a result of Chopin's proofreading in FE (→GE,EE). Cf. bars 20-22. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 22
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing staccato dots in Atut is most probably Chopin's oversight, which was corrected in FE (→GE,EE). Dots are present also in the respective bar of the recapitulation (bar 507). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 23
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing accent in GE may be a proof that it was added by Chopin in the last phase of proofreading of FE. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
is present only next to d
in the 1st octave. In 
