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b. 610

composition: Op. 11, Concerto in E minor, Mvt I

​​​​​​​in FE (→EE)

No sign in GE

..

The missing ​​​​​​​ hairpin is most probably an oversight of the engraver of GE.

category imprint: Differences between sources

issues: Errors in GE

b. 611

composition: Op. 11, Concerto in E minor, Mvt I

No slur in FE (→EE,GE1GE2)

Slur in GE3

..

In GE3, the slur combining the last two quavers in the L.H. must be inauthentic, while its absence in the remaining sources may be considered justified – the interval between those notes exceeds the hand span.

category imprint: Differences between sources

issues: GE revisions

b. 611

composition: Op. 11, Concerto in E minor, Mvt I

Slur in FE (→EE) & GE3

No slur in GE1 (→GE2)

..

The missing slur is probably an oversight of the engraver of GE.

category imprint: Differences between sources

issues: Errors in GE , GE revisions

b. 614

composition: Op. 11, Concerto in E minor, Mvt I

f in FE (→GE)

e in EE

..

The version of EE must be erroneous – such 'generalisation' of schemes of figurations, particularly those containing recurrent elements, is a relatively frequent mistake of engravers – cf. e.g. bar 594

category imprint: Differences between sources

issues: Errors in EE

b. 615

composition: Op. 11, Concerto in E minor, Mvt I

..

In FE (→GE1GE2, →EE1EE2), there is no accidental before the penultimate semiquaver. The undoubtedly necessary ​​​​​​​ was added only just in GE3 and EE3.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals , Errors repeated in GE , Errors repeated in EE