Fingering
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b. 418-419
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composition: Op. 11, Concerto in E minor, Mvt I
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The fingering entered by Chopin in FED, in spite of the fact that it applies to the first two semiquavers only, determines the position of fingers in the next figures and, consequently, also in the further part of the phrase. Therefore, this entry most probably indicates the same fingering that Fontana gave in EE and that was written in FEH (probably on the basis of a lesson with Chopin). As the fingering of the basic figures of this fragment was defined already in bar 416, in this case in the main text we include only the entry in FED. category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Annotations in FEH |
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b. 419-422
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composition: Op. 11, Concerto in E minor, Mvt I
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In FEH, the fingering of the endings of the phrases at the transition between bars 419 and 420 and 421 and 422 is natural; however, it is uncertain whether it was indicated by Chopin. The digit at the end of bar 419 was changed – '5' was transformed into a '4'. category imprint: Differences between sources |
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b. 419-421
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composition: Op. 11, Concerto in E minor, Mvt I
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In bars 419 and 412 Fontana consistently prescribes the 2nd finger for one of the top notes of the 3rd beat. Cf. bars 417-418. category imprint: Differences between sources issues: EE revisions |
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b. 422
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources |
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b. 424-425
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composition: Op. 11, Concerto in E minor, Mvt I
category imprint: Differences between sources issues: EE revisions |
