Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 11, Concerto in E minor, Mvt I
According to us, placing the accent under the a2 semiquaver is inexplicable from the musical point of view and is most probably a mistake of the engraver of FE, who put the mark a semiquaver too early. In the main text, we move the accent over the crotchet in the L.H., which, judging from the next two similar bars, should be accented. Such an interpretation of this mark was adopted also in GE3.
Compare the passage in the sources »
category imprint: Differences between sources; Editorial revisions
issues: Inaccuracies in FE, GE revisions
notation: Articulation, Accents, Hairpins
