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b. 150-151
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composition: Op. 11, Concerto in E minor, Mvt I
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Placing the accents only under the L.H. part, incomprehensible from the musical point of view, is probably a result of an inaccurate reproduction of the autograph's notation. According to us, Chopin most probably wrote the accents between the parts of both hands, which could not be repeated in print. Taking that into account, in the main text we add accents over the R.H. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 153
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composition: Op. 11, Concerto in E minor, Mvt I
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Both variants were given in the edition edited by Chopin's pupil, Karol Mikuli (Kistner, Leipzig 1879). Mikuli did not specify their origin, but defining the variant with the group of 6 semiquavers as "performance after Chopin" suggests memories and notes from the time of personal contacts between the editor and composer. It is also known that Mikuli had some insight into currently lost pupils' copies of Chopin's other pupils, e.g. Fryderyka Streicher-Müller (cf. the Sonata in B category imprint: Differences between sources issues: Annotations in teaching copies , Authentic post-publication changes and variants |
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b. 153-154
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composition: Op. 11, Concerto in E minor, Mvt I
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The missing staccato dots in EE and GE may be attributed to either a common oversight of the engraver or an omission due to misunderstanding of this subtle articulation detail – cf. a similar situation in the Concerto in F minor, op. 21, the 1st mov., bar 90. category imprint: Differences between sources issues: Errors in EE , Errors in GE |
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b. 153
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composition: Op. 11, Concerto in E minor, Mvt I
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The slur in FE (→EE) is most probably inaccurate, hence in the main text, we give the version of GE, which, according to us, guesses correctly Chopin's possible notation. Too spacious slurs, written with a flourish, are a frequent phenomenon in the Chopinesque autographs. category imprint: Interpretations within context; Differences between sources issues: GE revisions |
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b. 154
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composition: Op. 11, Concerto in E minor, Mvt I
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The dot extending the e crotchet is not a part of the solo part and is to be applied only when performing the Concerto without accompaniment. category imprint: Source & stylistic information |
minor, op. 35, the 1st mov., 
