mUltimate Chopin

Op. 11, Concerto in E minor, Mvt I

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b. 550-554

composition: Op. 11, Concerto in E minor, Mvt I

3 arpeggio signs in FE (→EE)

No signs in GE
..

In the entire fragment (bars 550-556), GE is devoid of arpeggio marks, in spite of the fact that in FE (→EE) arpeggios are featured in 3 places – before the 1st chord in bar 550 and 553 and before the minim in bar 554. The excessive length of marks, which consist of six and not four parts, like the majority of arpeggios in the Concerto (e.g. in bars 570 and 572 placed on the same page in FE), seems to indicate the fact that the wavy lines were added in the last phase of proofreading of FE as the reason for the absence of marks in GE. 

category imprint: Differences between sources

issues: Authentic corrections of FE

b. 551

composition: Op. 11, Concerto in E minor, Mvt I

No mark in FE (→GE,EE)

Accent on g2 suggested by the editors
..

In the main text, we add an accent over the 1st semiquaver after bar 196.

category imprint: Editorial revisions

b. 551-552

composition: Op. 11, Concerto in E minor, Mvt I

Fingering written into FEH

No fingering in FE (→GE)

Fontana's fingering in EE
..

The authenticity of these concerted indications is not confirmed, yet, according to us, it is highly likely that it is a Chopinesque fingering.

category imprint: Differences between sources

issues: Annotations in teaching copies , EE revisions , Annotations in FEH

b. 552

composition: Op. 11, Concerto in E minor, Mvt I

No marking in FE (→GE,EE1)

Arpeggio sign in EE2 (→EE3)

Arpeggio sign suggested by the editors
..

In the main text, we add an arpeggio after bar 197. The indication was added also in EE2 (→EE3).

category imprint: Differences between sources; Editorial revisions

issues: EE revisions

b. 552

composition: Op. 11, Concerto in E minor, Mvt I

..

The  raising c1 to c​​​​​​​1, overlooked in FE, was added both in GE and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors in FE , GE revisions , Omission of current key accidentals