



b. 478
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Fontana's fingering added at the beginning of the bar must be inauthentic, since it does not match the Chopinesque indication at the end of the bar – Fontana must have changed the authentic '4' to a '5'. category imprint: Differences between sources issues: EE revisions |
|||||
b. 479-480
|
composition: Op. 11, Concerto in E minor, Mvt I
..
The missing category imprint: Editorial revisions issues: No pedal release mark |
|||||
b. 479-485
|
composition: Op. 11, Concerto in E minor, Mvt I
..
In the 2nd half of each of bars 479-484 and in bar 485 in GE, a cautionary sharp was added before the f category imprint: Differences between sources; Editorial revisions issues: GE revisions |
|||||
b. 482
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Fontana filled the gap in the Chopinesque fingering by copying a model that had been unambiguously indicated by the composer already in bar 479. category imprint: Differences between sources issues: EE revisions |
|||||
b. 482-484
|
composition: Op. 11, Concerto in E minor, Mvt I
..
Wherever Chopin gave fingering for the R.H., Fontana recalled the Chopinesque fingering also in the L.H. part. category imprint: Differences between sources issues: EE revisions |