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p. 3, b. 26-37
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 35

No accidental before the 3rd semiquaver of the triplet in A (→GE1FEEE)

 raising f2 to  sharp2 in GE2

The version with f2 is possible both from the harmonic and the melodic point of view. However, it seems much more probable that Chopin omitted the  by mistake, as a temporary A major is the key in force in this four bar section.

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category imprint: Interpretations within context; Differences between sources

issues: GE revisions, Omission of current key accidentals

notation: Pitch