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p. 1, b. 1-13
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 13

The fingering in FES

No teaching fingering provided

The sequence of numbers of the fingering written into FES of the augmented unison a flat2-a2 may suggest the use of the 4th finger for a flat2, and the 2nd for a2. As Chopin undoubtedly had in mind the natural position of the hand, we match the fingering to the graphic layout of the notes.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FES

notation: Fingering

Missing markers on sources: A, FE1, FEFr, FED, GE1, FEJ, EE1, EE3, GE2, GET