Page: 
Source: 
p. 2, b. 14-25
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Articulation, Accents, Hairpins
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No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 22

A long accent in A

A short accent in GE (→FEEE)

Distortion of  Chopin's notation resulted from the fact that the musical notation of the day did not have a separate "long accent" category and therefore a relevant standardized sign did not exist.

The fact that the sign was placed under the staff is nonetheless strange, as this was not typical for the editorial practices of those times. 

Compare the passage in the sources»

category imprint: Differences between sources

issues: Long accents

notation: Articulation, Accents, Hairpins