Page: 
Source: 
p. 2, b. 14-25
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
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Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
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Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 25

 in the middle of the semiquaver grouping in A

 closer to the end of the grouping in GE (→FEEE)

The pedal use in GE (→FEEE) probably results from inaccurate reconstruction of the notation of A. Still, Chopin did not change it, only corrected the contour of the accompaniment in that bar, which may mean that he considered that pedalling acceptable.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE

notation: Pedalling