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p. 1, b. 1-13
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b. 7
Correcting FE, Chopin somewhat changed the contour of the melody in that bar. The earlier sources—A (→GE)—have a repeated e flat2 at the beginning of the second half of the bar and a turn between that quaver and the next one. In the later sources, FE (→EE), the note e flat2 is tied and the turn is removed.
category imprint: Interpretations within context; Differences between sources; Corrections & alterations
issues: Turn
notation: Pitch