Page: 
Source: 
p. 1, b. 1-13
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 7

A turn with a raised lower note in A

An ordinary turn in GE

The version of FE (→EE) corrected by Chopin

Correcting FE, Chopin somewhat changed the contour of the melody in that bar. The earlier sources—A (→GE)—have a repeated e flat2 at the beginning of the second half of the bar and a turn between that quaver and the next one. In the later sources, FE (→EE), the note e flat2 is tied and the turn is removed.

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category imprint: Interpretations within context; Differences between sources; Corrections & alterations

issues: Turn

notation: Pitch