Page: 
Source: 
p. 1, b. 1-13
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
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  b. 7-8

in A

GE

FE (→EE)

The editors' suggestion

The sign from A was inaccurately reproduced in GE as clearly shorter on its right side. In FE (→EE) the hairpins were moved, which was most probably connected with the changes of the melody contour introduced by Chopin. In our proposal we combine the two approaches, giving the left-hand side of the hairpins after  FE as better matching the changed melody line with the right-hand side of the hairpins after A  reaching suggestively the culminating point.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE

notation: Articulation, Accents, Hairpins