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Source: 
p. 6, b. 62-77
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 66-67

No slurs over the quavers in A (→GEFEEE)

Slurs suggested by the editors

We suggest supplementing two-quaver motifs in bars 66-67 with slurs, just like Chopin marked it in A in bar 68. The notation of bars 66-67 in A  contains a number of omissions which, analysed jointly, point to the composer's weakened concentration. In GE (→FEEE) bars 66-68 only have slurs running from grace notes, which surely stems from careless reproduction of the notation of A, and not from the introduced changes.

Compare the passage in the sources»

category imprint: Editorial revisions

issues:

notation: Slurs