Page: 
Source: 
p. 6, b. 62-77
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF Main text


  b. 64

No flats for e flat in A

  for e flat2 w GE (→FEEE), we also supplement the  for e flat

A has no flats before the last notes of both hands which, given the presence of naturals in the 1st half of the bar, results in e2 and e.  There are many arguments pointing to the conclusion that the omission of those flats by Chopin was an oversight. The flat restoring e flatwas added in GE (→FEEE), perhaps on the composer's request. We add the necessary  restoring e flat; that sign was also supplemented in GE2.

Learn more »

category imprint: Differences between sources; Editorial revisions

issues: Omissions to cancel alteration, GE revisions, Authentic corrections of GE

notation: Pitch