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Source: 
p. 5, b. 49-61
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 60-61

The traces of erasing visible in A still allow us to decipher that initially the 4 bass notes in those bars had been A flat-A flat-A flat-A flat1. Eventually Chopin changed them in A to A flat1-A flat-A flat1-A flat. Cf. similar alterations of the same notes in the Polonaise in C sharp minor Op. 26 no. 1, bars 45 and 52-53. Cf. later overlapping changes in teaching copies.

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category imprint: Corrections & alterations

issues: Corrections in A, Accompaniment changes

notation: Pitch

Missing markers on sources: FE1, FEFr, FED, GE1, FEJ, FES, EE1, EE3, GE2, GET