Page: 
Source: 
p. 5, b. 49-61
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 59-60

No octaves in  A (→GEFEEE)

Two octaves in FED and FEJ

Three octaves in FES

The editors' variant proposal

In the three teaching copies, the bass notes in  bar 59 were doubled with lower octaves. In FES the octave progression is consistently brought to the beginning of bar 60. In our opinion this means that Chopin considered the version with the octaves at least equivalent to the version of A (→GEFEEE), in which single notes appear.

See b. 60-61

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Annotations in FED, Annotations in FES, Authentic post-publication changes and variants, Annotations in FEJ, Bass register changes, Abbreviated octaves' notation

notation: Pitch

Missing markers on sources: A, FE1, FEFr, GE1, EE1, EE3, GE2, GET