mUltimate Chopin

Op. 27 No 2, Nocturne in D♭ major

Text Compare Notes Sources Description
Page: 
Source: 
p. 5, b. 49-61
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
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Important
Main
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  b. 49-50

Without an entry from the teaching copy

A complete entry in FES

A possible interpretation of the entry

A less possible interpretation of the entry

The meaning of the slur entered into FES is not clear. One of the possible interpretations is a variant in the form of a run filling the octave leap of the melody. If we take into account the hardly legible sign in bar 50 and perceive it as the digit 8, we may conclude that the run goes up to c4.

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category imprint: Graphic ambiguousness; Differences between sources

issues: Annotations in teaching copies, Annotations in FES, Authentic post-publication changes and variants

notation: Pitch

Missing markers on sources: A, FE1, FEFr, FED, GE1, FEJ, EE1, EE3, GE2, GET
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