Page: 
Source: 
p. 4, b. 38-48
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Graphic ambiguousness
Interpretations within context
Differences between sources
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Important
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  b. 44

2 wedges in A

Proposed addition to A

2 dots in GE

1 dot in FE (→EE)

The staccato wedges, quite clear in A, were interpreted as dots in  GE (→FEEE); what is more, FE (→EE) only has the first dot printed. We give both wedges of  A and suggest adding an analogous wedge over the last chord of the bar.

Compare the passage in the sources»

category imprint: Differences between sources; Editorial revisions

issues: Inaccuracies in GE, Inaccuracies in FE

notation: Articulation, Accents, Hairpins