mUltimate Chopin

Op. 27 No 2, Nocturne in D♭ major

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Page: 
Source: 
p. 4, b. 38-48
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 38-40

Although the notation of the source is clear, there are as many as five signs in FES that show in a detailed manner the rhythmic relations of both hands. Those signs are probably meant to facilitate the a vista playing through showing the synchronization of the L.H. and the R.H. part. Cf. bar 35-36.

Compare the passage in the sources»

category imprint: Differences between sources

issues: Synchronization markings, Annotations in FES

notation: Rhythm

Missing markers on sources: A, FE1, FEFr, FED, GE1, FEJ, EE1, EE3, GE2, GET
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