Page: 
Source: 
p. 6, b. 62-77
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
EE1 - First English Edition
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 69

The notation of A

GE (→FEEE)

The notation of the 1st note is not quite clear in A, as Chopin gave a single extending dot for two notes of the same pitch. However, the rhythmic values used in the second part of the bar make it easy for us to guess the composer's intention. The notation of the editions is even less clear, omitting the crotchet head (for the lower voice) that can be seen in A. Still, even in that version it is easy to figure out how to perform that fragment correctly. 

Compare the passage in the sources »

category imprint: Graphic ambiguousness; Differences between sources

issues: Inaccuracies in GE

notation: Rhythm