Page: 
Source: 
p. 6, b. 62-77
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Graphic ambiguousness
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
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No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 76-77

Slurs in  A (→GE1)

FE

EE and GE2

In the main text we give two motivic slurs visible in A (→GE1): over the R.H. and under the L.H. In FE, the L.H. slur was moved to the note head side, thus becoming a tie. In the editors' opinion this is due to the engraver's mannerism, not the result of Chopin's correction. In EE and GE2 two more slurs were arbitrarily added, one for each hand, and as a result a flat is also sustained in those two editions.

Compare the passage in the sources»

category imprint: Differences between sources

issues: EE revisions, Inaccuracies in FE, Placement of markings, GE revisions

notation: Slurs