Page: 
Source: 
p. 6, b. 62-77
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
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Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
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Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF A - Autograph


  b. 74-77

Pedalling of bars 74-77 in A

 added in GE1

 added in FE

 added in EE

 moved in #FE2

We give the pedalling of A (a single pedal depression from bar 74 to the end). Subsequent supplementations in GE1, FE and EE and the change in GE2 are most probably made by reviewers. FE has an ad-hoc correction of the GE1 version, as that version was contrary to Chopin's intentions.

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category imprint: Differences between sources

issues: EE revisions, GE revisions, Authentic corrections of FE, No pedal release mark

notation: Pitch