Page: 
Source: 
p. 6, b. 59-77
p. 1
p. 2, b. 1-15
p. 3, b. 16-30
p. 4, b. 31-43
p. 5, b. 44-58
p. 6, b. 59-77
p. 7
FE1 - First French Edition
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
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copy link PDF FE1 - First French Edition


  b. 60

Dynamic markings in  A

GE (→FEEE)

The dynamic hairpins in A are placed in the second half of each passage written in small notes. In GE (→FEEE) they were lengthened to cover the entire runs with their scope.

Compare the passage in the sources »

category imprint: Differences between sources

issues: Inaccuracies in GE, Scope of dynamic hairpins

notation: Articulation, Accents, Hairpins