Page: 
Source: 
p. 5, b. 32-44
p. 1
p. 2
p. 3, b. 1-15
p. 4, b. 16-31
p. 5, b. 32-44
p. 6, b. 45-57
p. 7, b. 58-71
p. 8, b. 72-77
A - Autograph
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF A - Autograph

Original in: Biblioteka Narodowa, Warsaw


  b. 44

Accents in A (→GE2)

Without any accents in GE1 (→FEEE)

The editors' variant suggestion

The accents of  A were probably omitted by mistake in GE1 (→FEEE). However, Chopin did not supplement them when proofing FE, despite the fact that he was adding the lines lengthening cresc., in that bar and in the preceding bars he was supplementing other L.H. accents. As we cannot be sure of his ultimate intention, we give the accents in brackets and leave the decision to the performer. 

See b. 41-43

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE

notation: Articulation, Accents, Hairpins