Page: 
Source: 
p. 3, b. 26-37
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Graphic ambiguousness
Interpretations within context
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Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Important
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  b. 34

The deletion in A allows one to see that originally Chopin wrote the sixth e2-c sharp3 as the 3rd quaver of the bar. The change was probably made after the whole bar had been written in - the proof of that is the   raising c2 to c sharp2 in the second half of the bar. 

Compare the passage in the sources»

category imprint: Corrections & alterations

issues: Corrections in A, Errors resulting from corrections

notation: Pitch

Missing markers on sources: FE1, FEFr, FED, GE1, FEJ, FES, EE1, EE3, GE2, GET