mUltimate Chopin

Op. 27 No 2, Nocturne in D♭ major

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Page: 
Source: 
p. 2, b. 14-25
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
Main text
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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  b. 25

The initial concept of the dynamics in A (→GE→FE→EE)

Deleted hairpins in FEJ and FES

 written into FEFr

The editors' variant proposal

The return of the first theme of the Nocturne in bar 26 was initially  – in A (→GE→FE→EE) – preceded with a . mark. Chopin deleted it in FEJ and FES, and in FEFr Franchomme removed   and written in  .

See b. 26

Compare the passage in the sources»

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in FES, Annotations in FEFr, Authentic post-publication changes and variants, Annotations in FEJ

notation: Articulation, Accents, Hairpins