Page: 
Source: 
p. 2, b. 14-25
p. 1, b. 1-13
p. 2, b. 14-25
p. 3, b. 26-37
p. 4, b. 38-48
p. 5, b. 49-61
p. 6, b. 62-77
FE1 - First French Edition
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Select notes: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Differences
No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
All
Important
Main
Prezentacja
Select 
copy link PDF FE1 - First French Edition


  b. 21

A wedge in A

A dot in GE

The sign was removed in the proofing of FE (→EE)

The engraver of GE rendered the wedge from A as a dot. That sign is very poorly visible in FE; this may be due to faulty printing (cf. bar 1), but it is more probable that Chopin removed the dot while proofing FE (→EE).

Compare the passage in the sources»

category imprint: Differences between sources

issues: Inaccuracies in GE, Authentic corrections of FE

notation: Articulation, Accents, Hairpins