mUltimate Chopin

Op. 27 No 2, Nocturne in D♭ major

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Page: 
Source: 
p. 10, b. 16-30
p. 1
p. 2
p. 3
p. 4
p. 5
p. 6
p. 7
p. 8
p. 9, b. 1-15
p. 10, b. 16-30
p. 11, b. 31-43
p. 12, b. 44-58
p. 13, b. 59-77
p. 14
GET - Toruń copy
Main text
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
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Rhythm
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Articulation, Accents, Hairpins
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No differences
A - Autograph
GE - German edition
GE1 - First German edition
GE2 - Later impression of GE1
GET - Toruń copy
FE - French edition
FE1 - First French Edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
FEFr - Franchomme copy
EE - English edition
EE1 - First English Edition
EE3 - Later impression of EE1
Importance
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Important
Main
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copy link PDF GET - Toruń copy

  b. 25

A flat in FE (→EE1) and GET

A (→GE) and EE3

The change of the last note from e flat to A flat is definitely the result of Chopin's proofing of FE. That correction was also made in GET. The return to e flat in EE3 is an arbitrary revision made in that edition (on the basis of GE).

See b. 17

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: Annotations in teaching copies, Accompaniment changes, Authentic corrections of FE, Annotations in GET

notation: Pitch