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Issues : Unclear hairpins in A
b. 10
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composition: Op. 27 No 2, Nocturne in D♭ major
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The hairpins
We place the indication espressivo above the upper staff, not to interfere with category imprint: Graphic ambiguousness; Differences between sources issues: Unclear hairpins in A |
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b. 10
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composition: Op. 27 No 2, Nocturne in D♭ major
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The point where the category imprint: Graphic ambiguousness; Differences between sources issues: Unclear hairpins in A |
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b. 27-28
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composition: Op. 27 No 2, Nocturne in D♭ major
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None of the versions found in the sources can be treated as fully reflecting Chopin's intention. The notation of bars 26-28 in A – including category imprint: Graphic ambiguousness; Interpretations within context; Differences between sources issues: Errors in FE , Unclear hairpins in A |
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b. 34
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composition: Op. 27 No 2, Nocturne in D♭ major
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We give the category imprint: Graphic ambiguousness; Differences between sources issues: Unclear hairpins in A |
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b. 37
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composition: Op. 27 No 2, Nocturne in D♭ major
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The dynamic mark in A resembles a long accent. Yet, taking into account the marking of an analogous phrase two bars earlier, it can be considered diminuendo hairpins, and was interpreted as such in GE (→FE→EE). Anyway, the difference between the two interpretations is more academic than practical, both from the graphic and the performance-related point of view. category imprint: Graphic ambiguousness issues: Long accents , Unclear hairpins in A |